When I was a lad (you have to say that in a Yorkshire accent), King Crimson were one of those bands for whom one or two in our collective really loved. In fact, one guy, not long after leaving school, tracked down where Robert Fripp lived and went to visit. Nowadays you couldn’t do that. Stalking at best. He received a warm welcome I believe.
They had, and have, a real loyal following. World tour 2019 anyone? And I can see both sides. I can see how some think this is a self indulgent, wandering, dribbling mess. And I suspect they wouldn’t change that view. But in my eyes, and ears, it’s a beautifully crafted, intelligent and complex piece with some stunning musicians performing at their best. Michael Giles’ drumming is simply unbeatable. Absolutely stonking.
There is so much history to this band and so many great musicians who were involved at one stage that you almost have to sit this LP in isolation and simply recognise the genius of both it and them. Set off on a tangent and you are unlikely to be seen for several days as you go exploring.
Whilst concept was king in those days (if you excuse the pun), this blends rock, choral, orchestral, melody and spiritual into one mix – and more – and what results is a wonderful treat along memory lane. Sit and contemplate as the quieter sections wash over you – Cadence and cascade – you cannot fail to appreciate the sentiment and beauty.
I’m unsurprised Fripp is still treading the boards with this music. Whilst it had its ‘popularity’ day many years ago, there is always room for music of this quality. It shouldn’t be all dance, grunge and electro-funk. It should be about quality music from quality musicians. You have it in abundance on this one.
First pressing A//1 B//1 matrix.
